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Why I Write Young Adult Fiction

“Since it is so likely that (children/teens) will meet cruel enemies, let them at least have heard of brave knights and heroic courage. Otherwise you are making their destiny not brighter but darker.” –C.S. Lewis

Beware: Spoilers for Allegiant, The Fault in Our Stars, and possibly Lord of the Flies and the Harry Potter series (but if you haven’t read or at least know the ending to those last two…please come out from under that rock pronto).

Like many others, I was excited to get my hands on Allegiant, the final book in the wildly popular Divergent series. I loved book one, tentatively liked book two, and looked forward to the last installment.

allegiant

All to my utter and complete disappointment.

Allegiant and subsequently its author, Veronica Roth (who, for the rest of this will be known as VRoth) failed readers on so many levels, but more than anything it/she failed a generation of teen readers who are looking for a new brand of hope.

See, when an author writes a book they can’t just willy-nilly send it out into the world. They must keep in mind that their words have the power to shape and affect people. An author, especially someone with a huge readership, has a responsibility to their readers. They must offer hope within the pages of their book or it’s a pointless waste of time for the author and more so, the reader.

Author William Faulkner said in his acceptance speech for his Nobel Prize, “The writer’s duty is to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past.”

Does there have to be an “and they lived happily ever after” ending? Absolutely not. Suzanne Collins’s (author of The Hunger Games series) editor put it best when she said that young adult books don’t need a happy ending, but in the end, there must be “a window left open”—a way where we can see that the characters we’ve grown to love can move on from tragedy.

There must be hope.

Teens today are growing up in a far different world than the one I grew up in (and I’m not that old). I’m of the Harry Potter generation. The books of my youth were stories of teens that could rise up and save the world. My generation was the one told that if we go to college and work hard then we’ll get good jobs and we can accomplish anything. I’m the generation just in front of today’s teens—and the teens of today have watched as the bottom dropped out of my generation’s lives. Where going to college hasn’t landed many of my friends a job, instead it has left them drowning in debt. Where many parents are divorced and a significant amount of people I know have watched their family home seized by forecloser.

Teens today have grown up watching this all unravel. For all of the aware part of their lives, our country has been at war. Think about that. They don’t know of an America not at war. Polls show that their vision of success is very different than my teen generation (which is only ten years ago). Today’s teen sees success not as owning a home, graduating college, having a family, or starting a business, instead the number one measure of success in recent polls showed them wanting to be debt free “at some point in life.” That’s it.

Contemporary teens aren’t looking for books about teens saving the world. They only ask for the small hope of saving their small corner of it. So popular books for this generation are ones that in the end show that in the midst of a messed up world, you can find your own peace/hope, even if it’s just between you and one other person.

Fiction has always been meant to combat the reality of life. VRoth failed us here. She didn’t show us what could be possible. Instead she smacked us in the face with what is. And we don’t need that. Because we’ve all dealt with more than enough loss and hardship and heartbreak. We don’t need books that repeat what we live every single day, we need books that show us that in the midst of a heartbreak world, we can find our own little pod of happiness/joy. That just because the world we live in is going to pot, doesn’t mean we have to lose hope.

Whatever her purpose, VRoth showed teens with Allegiant one horrible thing: their life, their struggles, their fight for right…none of it matters in the end. Which leaves teens asking: what’s the point? If nothing I’m working for matters…why try? I know that’s not the message she meant to send, but when an author is careless with their responsibility to readers, this is the kind of thing that can happen.

I’ll admit I spent a good amount of time reading Amazon reviews for Allegiant in order to see if I was the only one left disillusioned. I wasn’t. Sadly, I’m in the majority with the one star reviews.

Most of the five star reviews I read were people who applauded VRoth on her bravery in “giving a realistic ending.” To this I say: there is a whole genre dedicated to realism. If you want stories that make you feel like someone has stabbed your heart on the last page with no chance for recovery, then feel free to read that genre. But for the ninety-five percent of people that read for enjoyment and escapism, sorry, we want some glimmer of a happy ending. If the Divergent series was meant to belong in the realism genre then it was marketed terribly because right now, all we have are broken promises to readers.

Also, even within realism, hope is usually the end game.fault

Take the book The Fault in Our Stars which falls in the realism genre, the teens in the story who fall in love both have terminal cancer. In the end of the book (I said there were spoilers…) Augustus dies. Why weren’t readers rioting over that? Because a promise wasn’t broken—when they picked up the book they knew they were going to read a story about dying teens so a teen dying at the end of the book was something they were braced for, if not expecting.

Even still, The Fault in Our Stars ends with hope. Hazel realizes that although Augustus has died, her love for him doesn’t have to. Death doesn’t have to change the definition of relationships. My grandfather, who is deceased, is still my grandfather because I’m living and can claim him as such. The last line of the book is in present tense whereas the rest of the book was in past tense. Meaning life goes on. This is a hopeful message.

VRoth killed her main character which is just hard to do well, especially in young adult fiction. Unless the author brings the character back after death (like Harry Potter), a theme/point is better demonstrated through killing a beloved secondary character like Augustus in The Fault in Our Stars or Piggy in Lord of the Flies (how’s that for old school). Otherwise, just save it for realism or adult fiction. Period.

All of this spurs me on to write the young adult stories that keep running around in my head—the ones full of turmoil and struggles and hurt, but all of which are covered in and end with “an open window” one that blatantly leads my readers to hope.

Jess

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About Jess Keller

I'm an author, speaker and chocolate eater who's chasing hard after my dreams.

2 responses »

  1. Jess, Hope you dont mind, I shared your blog post on my facebook page, More Than a Review. I agree with you, although I have not read either book; my niece has. I am amazed at how many YA books are not HEA or at least giving hope.
    Keep writing!

    Reply
    • Thanks so much for the share! I’ll check out your FB page. And it’s crazy that writers aren’t giving hope…I feel like some of them have an ego trip, like “I’m going to doing something amazing that hasne’t been done before and prove how intellectual I am.” I just don’t get it.

      Reply

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